As part of my online writing course, someone asked for a critique of a story that she felt wasn’t working. I offered to blather about it a bit. One of her concerns was the ending falls flat. There was a decent enough emotional ending, but I think I understand her feeling. The rough story: Inspector on unpleasant field work. The draft I have is 8 pages long. The first 6 and a half pages take place in the field, the last page and a half in the office, where the narrator learns she actually suceeded in the external task of the story. In my commentary, I suggested that this feels wrong because it is only one half of a pair of bookends. If the story started in the office, went to the field, and returned, then the bookends may work better. Alternatively, cutting the setting of the ending and keeping Continue reading Uncle Josh Contemplates Narrative Bookends
Every writer has one zombie story in them, and mine is in an anthology called “Zombiefied III: Hazardous Materials” edited by Carol Hightshoe and publish by Sky Warrior Books. There’s lots of good stuff in here.